ForeignAs a wealthy Swedish family celebrates the birthday of their patriarch Alexander (Erland Josephson, Cries and Whispers), news of the outbreak of World War III reaches their remote Baltic island — and the happy mood turns to horror. The family descends into a state of psychological devastation, brilliantly evoked by Tarkovsky's arresting palette of luminous greys washing over the bleak landscape around their home. (The film's masterful cinematography is by Sven Nykvist, Ingmar Bergman's longtime collaborator).
ForeignA traveling scholar, intent on translating a Buddhist sutra, loses his way in the mountains. Time and space collapse around him as he continues his journey, encountering ghostly visitations amid a haunting fantasia of color, light and landscape. King Hu rose to prominence in the 1960s and 70s as a superb director of wuxia, a prevalent genre in Chinese-language film and literature built on ancient lore of swords, sorcery and chivalrous heroes. Legend of the Mountain comes from the director’s later period, when his artistry, specifically his landscape compositions, was at the height of its powers. The film’s astonishing nature scenes, shot on location in the Korean countryside, are reminiscent of Terrence Malick, while the reflective blend of myth and history is all Hu’s own.
ForeignThe year is 2044: artificial intelligence controls all facets of a stoic society as humans routinely "erase" their feelings. Hoping to eliminate pain caused by their past-life romances, Gabrielle (Léa Seydoux) continually falls in love with different incarnations of Louis (George MacKay). Set first in Belle Époque-era Paris, Louis is a British man who woos her away from a cold husband, then in early 21st Century Los Angeles, he is a disturbed American bent on delivering violent "retribution." Will the process allow Gabrielle to fully connect with Louis in the present, or are the two doomed to repeat their previous fates? Visually audacious director Bertrand Bonello (SAINT LAURENT, NOCTURAMA) fashions his most accomplished film to date: a sci-fi epic, inspired by Henry James' turn- of-the-century novella, THE BEAST IN THE JUNGLE, suffused with mounting dread and a haunting sense of mystery. Punctuated by a career-defining, three-role performance by Seydoux, THE BEAST poignantly conv
ForeignIn the rural alpine hamlet of Mizubiki, not far from Tokyo, Takumi and his daughter, Hana, lead a modest life gathering water, wood, and wild wasabi for the local udon restaurant. Increasingly, the townsfolk become aware of a talent agency’s plan to build an opulent glamping site nearby, offering city residents a comfortable "escape" to the snowy wilderness. When two company representatives arrive and ask for local guidance, Takumi becomes conflicted in his involvement, as it becomes clear that the project will have a pernicious impact on the community. Winner of the Grand Jury Prize at the 2023 Venice Film Festival, Ryusuke Hamaguchi’s follow up to his Academy Award®-winning DRIVE MY CAR is a foreboding fable on humanity's mysterious, mystical relationship with nature. As sinister gunshots echo from the forest, both the locals and representatives confront their life choices and the haunting consequences they have.
ForeignParis, 1967. Disillusioned by their suburban lifestyles, a group of middle-class students, led by Guillaume (Jean-Pierre Léaud) and Veronique (Anne Wiazemsky), form a small Maoist cell and plan to change the world by any means necessary. After studying the growth of communism in China, the students decide they must use terrorism and violence to ignite their own revolution. Director Jean-Luc Godard, whose advocacy of Maoism bordered on intoxication, infuriated many traditionalist critics with this swiftly paced satire.
ForeignIn 1975, Pierre Goldman, a fiery and controversial figure of revolutionary left-wing activism, was put on trial in France. Accused of multiple crimes including two murders, Goldman proclaims his innocence. The Goldman trial reflects the political, ideological and racial tensions that marked the 1970s in France and Europe. Considered to be the trial of the century, it divided an entire country and widened the gap between the conservative right and left-wing intellectuals.
ForeignThe coming-of-age story of a precocious and outspoken young Iranian girl that begins during the Islamic Revolution. We meet nine-year-old Marjane when the fundamentalists first take power, forcing the veil on women and imprisoning thousands. The story then follows her as she cleverly outsmarts the "social guardians" and discovers punk, ABBA and Iron Maiden, while living with the terror of government persecution and the Iran/Iraq war. Then Marjane's journey moves on to Austria where, as a teenager, her parents send her to school in fear for her safety and she has to combat being equated with the religious fundamentalism and extremism she fled her country to escape. Marjane eventually gains acceptance in Europe, but finds herself alone and horribly homesick, and returns to Iran to be with her family, though it means putting on the veil and living in a tyrannical society. After a difficult period of adjustment, she enters art school and marries, continuing to speak out against the hypocri
ForeignIn the fifth of their immortal collaborations, Federico Fellini and the exquisitely expressive Giulietta Masina completed the creation of one of the most indelible characters in all of cinema: Cabiria, an irrepressible, fiercely independent sex worker who, as she moves through the sea of Rome’s humanity, through adversity and heartbreak, must rely on herself—and her own indomitable spirit—to stay standing. Winner of the best actress prize at Cannes for Masina and the Academy Award for best foreign-language film, NIGHTS OF CABIRIA brought the early, neorealist-influenced phase of Fellini’s career to a transcendent close with its sublimely heartbreaking yet hopeful final image, which embodies, perhaps more than any other in the director’s body of work, the blend of the bitter and the sweet that define his vision of the world.
ForeignThis critically-acclaimed, Oscar®-winning film (Best Foreign Language Film, 2006) is the erotic, emotionally-charged experience Lisa Schwarzbaum (Entertainment Weekly) calls "a nail-biter of a thriller!" Before the collapse of the Berlin Wall, East Germany's population was closely monitored by the State Secret Police (Stasi). Only a few citizens above suspicion, like renowned pro-Socialist playwright Georg Dreyman, were permitted to lead private lives. But when a corrupt government official falls for Georg's stunning actress-girlfriend, Christa, an ambitious Stasi policeman is ordered to bug the writer's apartment to gain incriminating evidence against the rival. Now, what the officer discovers is about to dramatically change their lives - as well as his - in this seductive political thriller Peter Travers (Rolling Stone) proclaims is "the best kind of movie: one you can't get out of your head."
ForeignGraceful, enigmatic, and often frightening, DOGTOOTH is an ingenious dark comedy that won the Prix Un Certain Regard at the 2009 Cannes Film Festival, propelling Yorgos Lanthimos to the forefront of contemporary cinema's most ambitious young filmmakers. In an effort to protect their three children from the corrupting influence of the outside world, a Greek couple transforms their home into a gated compound of cultural deprivation and strict rules of behavior. But children cannot remain innocent forever. When the father brings home a young woman to satisfy his son's sexual urges, the family's engineered "reality" begins to crumble, with devastating consequences. Like the haunting, dystopic visions of Michael Haneke and Gaspar Noé, DOGTOOTH punctuates its compelling drama with moments of shocking violence, creating a biting social satire that is as profound as it is provocative.
ForeignFrom acclaimed Korean writer/director Kim Ki-Duk comes this exquisitely beautiful and award-winning human drama set on a tree-lined lake where a tiny Buddhist monastery floats on a raft. Under the vigilant eye of Old Monk (Yeong-su Oh), Child Monk learns a hard lesson about the nature of sorrow when some of his childish games turn cruel. In the intensity and lushness of summer, the monk, now a young man (Young-min Kim), experiences the power of lust, a desire that will ultimately lead him to dark deeds. With winter, the man atones for his past actions, and spring starts the cycle anew. With an extraordinary attention to visual detail, Kim has crafted an original yet universal story about the human spirit, moving from innocence, through love and evil, to enlightenment and finally rebirth.
ForeignFrom Pedro Almodóvar, the director of the Academy-Award(r) winning All About My Mother (Best Foreign Language Film, 2000), comes his most acclaimed film yet. TALK TO HER is the surprising, altogether original and quietly moving story of the spoken and unspoken bonds that unite the lives and loves of two couples. Two men (Benigno and Marco) almost meet while watching a dance performance, but their lives are irrevocably entwined by fate. They meet later at a private clinic where Benigno is the caregiver for Alicia, a beautiful dance student who lies in a coma. Marco is there to visit his girlfriend, Lydia, a famous matador, also rendered motionless. As the men wage vigil over the women they love, the story unfolds in flashback and flashforward as the lives of the four are further entwined and their relationships move toward a surprising conclusion.
ForeignIn Mussolini’s Italy, repressed Jean-Louis Trintignant, trying to purge memories of a youthful, homosexual episode – and murder – joins the Fascists in a desperate attempt to fit in. As the reluctant Judas motors to his personal Gethsemane (the assassination of his leftist mentor), he flashes back to a dance party for the blind; an insane asylum in a stadium’ and wife Stefania Sandrelli and lover Dominique Sanda dancing the tango in a working class hall. But those are only a few of this political thriller’s anthology pieces, others including Trintignant’s honeymoon coupling with Sandrelli in a train compartment as the sun sets outside their window; a bimbo lolling on the desk of a fascist functionary, glimpsed in the recesses of his cavernous office; a murder victim’s hands leaving bloody streaks on a limousine parked in a wintry forest. Bernardo Bertolucci’s masterpiece, adapted from the Alberto Moravia novel, boasts an authentic Art Deco look created by production des
ForeignWith this breakthrough film, Federico Fellini launched both himself and his wife and collaborator Giulietta Masina to international stardom, breaking with the neorealism of his early career in favor of a personal, poetic vision of life as a bittersweet carnival. The infinitely expressive Masina registers both childlike wonder and heartbreaking despair as Gelsomina, loyal companion to the traveling strongman Zampanò (Anthony Quinn, in a toweringly physical performance), whose callousness and brutality gradually wear down her gentle spirit. Winner of the very first Academy Award for Best Foreign-Language Film, LA STRADA possesses the purity and timeless resonance of a fable and remains one of cinema’s most exquisitely moving visions of humanity struggling to survive in the face of life’s cruelties.
ForeignBalancing physical action with Buddhist musings on life and death, the most spiritual of the Lone Wolf and Cub films finds Ogami’s combat skills put to the test by five different warrior-messengers.
ForeignWith her first film in a decade, the fearless 75-year-old French auteur Catherine Breillat (FAT GIRL, THE LAST MISTRESS) proves she’s as provocative as ever with her Cannes-stirring film, which drives down the dark road of uncontrollable passion. A remarkably nuanced, radiant Léa Drucker plays Anne, an attorney who has plateaued in her marriage to Pierre (Olivier Rabourdin), a distracted businessman. His son, troubled seventeen-year-old, Theo (Samuel Kircher), from a previous marriage, has recently returned to Pierre’s ineffectual and despondent care. When Pierre leaves town for a business trip, Anne and Théo—confined under the same roof for the first time—find themselves in the throes of an unexpected and dangerously lustful affair, threatening the stability of the household. Music by Kim Gordon heightens the erotic tension of LAST SUMMER, a film that boldly surveys power dynamics, female desire, and fulfillment.
ForeignThe most personal film by the underworld poet Jean-Pierre Melville, who had participated in the French Resistance himself, this tragic masterpiece, based on a novel by Joseph Kessel, recounts the struggles and sacrifices of those who fought in the Resistance. Lino Ventura, Paul Meurisse, Jean-Pierre Cassel, and the incomparable Simone Signoret star as intrepid underground fighters who must grapple with their conception of honor in their battle against Hitler’s regime. Long underappreciated in France and unseen in the United States, the atmospheric and gripping thriller ARMY OF SHADOWS is now widely recognized as the summit of Melville’s career, channeling the exquisite minimalism of his gangster films to create an unsparing tale of defiance in the face of seemingly insurmountable odds.
ForeignWinner of six prestigious European Film Awards, including Best Picture and 2004 Golden Globe® nominee for Best Foreign Language Film, this coming-of-age adventure blends the fall of Communism with the salient emotions of a family's love. "Destined to become one of Germany's biggest international hits," (BBC Films), Good Bye, Lenin! is a beautiful introduction to a whole new, free world. In 1989, Christiane Kerner has lost her husband and is completely devoted to the Socialist East German state. A heart attack leaves her in a coma, and when she awakens eight months later, the Berlin Wall has fallen and it's a whole new world. To protect her from the shock, her son Alex hatches a plan to keep her in the dark. It's easy... all he has to do is turn back the handle of time.
ForeignPedro Almodovar is at the top of his game with "All About My Mother," a poignant, at times comedic examination of women in intimate relationships. "All About My Mother" visits themes of female vulnerability and solidarity, but in a new and profoundly mature way. Cecilia Roth plays strong-willed hospital worker Manuela, whose 18-year-old son's accidental death transforms her life. Reading her son's journals, grief-stricken Manuela realizes that he longed to hear about the father he never knew. Forsaking Madrid for Barcelona, she embarks on a search for the man she left almost 20 years before.
ForeignThis multiple award winner from Tom Tykwer (The Princess And The Warrior) stars Franka Potente as Lola, the orange-haired punk girlfriend of Manni (Moritz Bleibtreu), a small-time courier for a big-time gangster. Manni is working a standard pickup/drop-off, and everything is going fine until an unforeseen incident makes Lola late to pick him up. One stroke of bad luck leads to another, and by the time Manni calls Lola, he has a big problem: He is supposed to meet his unforgiving boss in 20 minutes with 100,000 marks that suddenly he does not have. Lola rushes out of her apartment, attempting to get to Manni and somehow pick up 100,000 marks along the way. As the seconds tick down, the tiniest choices become life-altering (or -ending) decisions, and the fine line between fate and fortune begins to blur.
ForeignJacques Tati’s gloriously choreographed, nearly wordless comedies about confusion in the age of technology reached their creative apex with Playtime. For this monumental achievement, a nearly three-year-long, bank-breaking production, Tati again thrust the endearingly clumsy, resolutely old-fashioned Monsieur Hulot, along with a host of other lost souls, into a bafflingly modernist Paris. With every inch of its superwide frame crammed with hilarity and inventiveness, Playtime is a lasting testament to a modern age tiptoeing on the edge of oblivion.
ForeignOne of the masters of early German cinema, G. W. Pabst seemed to have an innate talent for discovering actresses. And perhaps none of his female stars shone brighter than Kansas native and onetime Ziegfeld girl Louise Brooks, whose legendary persona was defined by Pabst’s lurid, controversial melodrama PANDORA’S BOX. Sensationally modern, the film follows the downward spiral of the fiery, brash, yet innocent showgirl Lulu, whose sexual vivacity has a devastating effect on everyone around her. Daring and stylish, PANDORA’S BOX is one of silent cinema’s great masterworks and a testament to Brooks’s dazzling individuality.
ForeignBoth a landmark of radical political cinema and one of the most visually ravishing films ever made, this legendary hymn to revolution shimmers across the screen like a fever dream of rebellion. The result of an extraordinarily ambitious collaboration between the Soviet and Cuban film industries, director Mikhail Kalatozov’s I AM CUBA unfolds in four explosive vignettes that capture Cuban life on the brink of transformation, as crushing economic exploitation and inequality give way to a working-class uprising. Backed by Carlos Fariñas’s stirring score, the dazzling camera work by Sergei Urusevsky—an inspiration for generations of filmmakers to follow—gives flight to the movie’s message of liberation.
ForeignGérard Depardieu delivers a towering performance as the immortal hero of hopeless romantics everywhere—he of the legendary long schnoz who selflessly uses his verse to help a friend woo the woman he himself secretly loves. Exquisite Academy Award–winning costumes, elegant cinematography, and a superlative screenplay adaptation by Jean-Claude Carrière and director Jean-Paul Rappeneau come together in a period piece par excellence that captures the wit, heart, and, yes, panache of Edmond Rostand’s beloved play.
ForeignDeath metal band Impaled Rektum escapes prison to perform at Wacken, Germany’s iconic music festival. Their wild and perilous adventure into the metal music scene challenges the band’s integrity in the sequel to cult classic HEAVY TRIP.
ForeignThis mesmeric parable of societal collapse is an enigma of transcendent visual, philosophical, and mystical resonance. Adapted from a novel by László Krasznahorkai, Werckmeister Harmonies unfolds in an unknown time in an unnamed village, where, one day, a mysterious circus—complete with an enormous stuffed whale and a shadowy, demagogue-like figure known as the Prince—arrives and appears to awaken a kind of madness in the citizens that builds inexorably toward violence. In thirty-nine hypnotic long takes engraved in ghostly black and white, auteur Béla Tarr and codirector-editor Ágnes Hranitzky conjure an apocalyptic vision of dreamlike dread and fathomless beauty.
ForeignWinner of the Grand Prize at the Cannes Film Festival, Once Upon A Time In Anatolia is the new film from the celebrated director of Distant and Climates. In the dead of night, a group of men – among them, a police commissioner, a prosecutor, a doctor and a murder suspect – drive through the Anatolian countryside, the serpentine roads and rolling hills lit only by the headlights of their cars. They are searching for a corpse, the victim of a brutal murder. The suspect, who claims he was drunk, can’t remember where he buried the body. As night wears on, details about the murder emerge and the investigators’ own hidden secrets come to light. In the Anatolian steppes, nothing is what it seems; and when the body is found, the real questions begin.
ForeignAydin, a former actor, runs a small hotel in central Anatolia with his young wife Nihal with whom he has a stormy relationship and his sister Necla who is suffering from her recent divorce. In winter as the snow begins to fall, the hotel turns into a shelter but also an inescapable place that fuels their animosities.
ForeignEric Rohmer captures the ache of summertime sadness with exquisite poignancy in this luminous tale of self-exploration. The Jules Verne novel of the same name provides the loose inspiration for the story of Delphine (Marie Rivière), a dreamy, introverted young secretary who, reeling from a breakup with her boyfriend, faces the anxiety-inducing prospect of spending her summer vacation alone. As she bounces from a getaway in Cherbourg to the tourist-choked Alps to the sunny beaches of Biarritz, Delphine passes through a whirl of social activity—but through it all remains profoundly alone, searching for the true human connection that seems to perpetually elude her. As honest a portrait of loneliness, depression, and the longing for understanding as has ever been committed to film, THE GREEN RAY stands as one of the most piercingly perceptive works by the French cinema’s keenest observer of human relationships.
ForeignTae-suk drifts around on his motorcycle looking for empty houses to stay in until the vacationing owners return. He never steals or ruins anything, in fact spends his time fixing broken items as a form of rent. One day, Tae-suk meets his destiny; a married woman named Sun-hwa. When Tae-suk breaks in, Sun-hwa hides in the dark and silently watches him. When she sees him fixing a broken scale, she realizes he is not a thief and continues to observe him from the shadows. When Sun-hwa's husband comes home and abuses her, Tae-suk grabs a 3-iron and swings it at golf balls, which strike her husband. Tae-suk and Sun-hwa run away and live in empty homes together until one day when they find a dead body!
ForeignFour friends, all teachers at various stages of middle age, are stuck in a rut. Unable to share their passions either at school or at home, they embark on an audacious experiment from an obscure philosopher: to see if a constant level of alcohol in their blood will help them find greater freedom and happiness. At first they each find a new- found zest, but as the gang pushes their experiment further, issues that have been simmering for years come to a head and the men are faced with a choice: reckon with their behavior or continue on the same course.
Underscored by delicate and affecting camerawork, director Thomas Vinterberg's spry script, co-written with regular collaborator Tobias Lindholm, uses this bold premise to explore the euphoria and pain of an unbridled life. Playing a once brilliant but now world-weary shell of a man, the ever surprising Mads Mikkelsen delivers a fierce and touching performance.
ForeignAt 16, Justine is a brilliant, promising student and a strict vegetarian. But when she starts veterinary school, she quickly encounters a decadent, merciless and dangerously seductive world. Desperate to fit in during the first week of hazing rituals, she strays from her principles and eats raw meat for the first time and faces the terrible and unexpected consequences of her actions as her true self emerges.
ForeignThis internationally award-winning film casually and sometimes caustically uncovers what binds us - and blinds us - to the differences between our ways of life in the West with modern day Iran. Fascinating, funny and tragic, it's 'a gem of comic action' that explores the ambiguity between the sexes" (The Hollywood Reporter). The Tehran soccer stadium roars with 100,000 cheering men - and only men. According to Islamic custom, women are not allowed, and the ambitious girls who manage to sneak in are caught and sent to a holding pen, guarded by male soldiers their own age. Duty makes the young men and women adversaries, but duty can't overcome their shared dreams, their mutual attraction, and ultimately their overriding sense of national pride and humanity.
ForeignA singular work in film history, Chantal Akerman’s Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles meticulously details, with a sense of impending doom, the daily routine of a middle-aged widow, whose chores include making the beds, cooking dinner for her son, and turning the occasional trick. In its enormous spareness, Akerman’s film seems simple, but it encompasses an entire world. Whether seen as an exacting character study or as one of cinema’s most hypnotic and complete depictions of space and time, Jeanne Dielman is an astonishing, compelling movie experiment, one that has been analyzed and argued over for decades.
ForeignSet against the backdrop of the beautiful Mediterranean, Swept Away is Lina Wertmuller's most famous and controversial film about sex, love and politics. On an elegant yacht cruising off the coast of Sardinia, Raffaella (Mariangela Melato), a rich and stunning capitalist, enjoys tormenting Gennarino (Giancarlo Giannini), a Communist sailor. Fate weaves a different scenario and roles become reversed when the two find themselves stranded together on a deserted island. Raffaella must submit to Gennarino in order to survive, which culminates in a dramatic climax when they are rescued. They must determine if their love can survive the harsh realities of civilization.
ForeignThe second installment in Claude Berri’s sprawling rural tragedy that began with JEAN DE FLORETTE, MANON OF THE SPRING follows a beautiful but shy shepherdess (Emmanuelle Béart) as she plots vengeance on the men whose greedy conspiracy to acquire her father’s land caused his death years earlier. Taken together, these masterful adaptations of the novel by Marcel Pagnol stand as high-water marks of the French cinema, recapturing the rich humanist tradition of its classical era.
ForeignSensual and elegant, Catherine Corsini’s SUMMERTIME follows Carole and Delphine as they fall in love against the backdrop of early feminist activism in 1971 France. After living in the city, Delphine is called home to help with her family farm in the countryside and is forced to choose between her responsibility to them and the life of love she had in Paris with Carole. An enlightening tale about the infatuation of first love and its universal themes.
ForeignBased on a novel by the legendary Marcel Pagnol, JEAN DE FLORETTE is (alongside MANON OF THE SPRING) the first installment in a rich, engrossing epic of greed and deception set amid the bucolic splendor of the Provence countryside. Gerard Depardieu gives one of his great performances as the hunchbacked city slicker Jean, who is determined to make a success of the farm he has inherited—unaware that his new neighbor César (Yves Montand) and his nephew Ugolin (Daniel Auteuil) have launched a ruthless scheme to take control of the land for themselves.
ForeignThis is the story of Gabrielle 'Coco' Chanel, who begins her life as a headstrong orphan, and through an extraordinary journey becomes the legendary couturier who embodied the modern woman and became a timeless symbol of success, freedom and style.
ForeignIn this cinematic concert the concluding film of the Qatsi Trilogy preceded by the critically acclaimed KOYAANISQATSI ("Life Out Of Balance"), and POWAQQATSI ("Life In Transformation") mesmerizing images reanimated from everyday reality, then visually altered with stateoftheart digital techniques, chronicle the shift from a world organized by the principles of nature to one dominated by technology, the synthetic, and the virtual. Extremes of intimacy and spectacle, tragedy and hope, fuse in a tidal wave of visuals and music, giving rise to a unique artistic experience that reflects Reggio's visions of a brave new globalized world.
Foreign"The Flower of My Secret" is the new film from Pedro Almodovar, Spanish director of such avant garde hits as "Women On the Verge of a Nervous Breakdown" and High Heels. Leo (Marisa Paredes) is a bestselling author of romantic fiction, but has been writing under a pseudonym name for years. Now in the middle of her life, Leo has reached a creative and emotional crisis. Tired of producing popular fiction when her heart yearns to write truly great literature, her very success has become a burden to her; unable to accept that her marriage to Paco (Imanol Arias) is rapidly disintegrating, Leo finds herself at a crossroads in her life. Even Leo's mother and sister can offer no consolation as they constantly bicker with one another. The one ray of hope in Leo's life comes from Angel (Juan Echanove), the editor of the newspaper El Pais, who offers her a job as a critic for a national arts supplement. Leo's first assignment brings her face to face with her alter-ego causing an examination of her
ForeignIn a bustling Mexican household, seven-year-old Sol is swept up in a whirlwind of preparations for the birthday party for her father, Tona, led by her mother, aunts and other relatives. As the day goes on, building to an event both anticipated and dreaded, Sol begins to understand the gravity of the celebration this year and watches as her family does the same. This poignant and emotionally expansive film from Lila Aviles (THE CHAMBERMAID) cements her skill at directing dynamic, ensemble performances in her stunning sophomore effort.
ForeignWith TEOREMA, a coolly cryptic exploration of bourgeois spiritual emptiness, Pier Paolo Pasolini moved beyond the poetic, proletarian earthiness that first won him renown. Terence Stamp stars as the mysterious stranger—perhaps an angel, perhaps a devil—who, one by one, seduces the members of a wealthy Milanese family (including European cinema icons Silvana Mangano, Massimo Girotti, Laura Betti, and Anne Wiazemsky), precipitating an existential crisis in each of their lives. Unfolding nearly wordlessly, this tantalizing metaphysical riddle—blocked from exhibition by the Catholic Church for degeneracy—is at once a blistering Marxist treatise on sex, religion, and art and a primal scream into the void.
ForeignFifty years ago, the Japanese Defense Forces killed Godzilla or so they thought. When a series of terrifying natural disasters begin to plague Japan, including the inexplicable offshore sinking of a U.S. submarine, a mystic old man warns his nation that Godzilla has come back to destroy Japan as revenge for all the souls lost in the Pacific War. When mere military might can not squash the monster, the mystic man awakens the Holy Beasts of Yamato - King Ghidorah, Mothra and Baragon, sleeping giants that protected Japan in ancient times. These untamed mammoth beasts take on Godzilla with frightening supernatural brute power that has been 2,000 years in the making. Tradition and technology collide in this chilling high-tech, cutting-edge fable.
ForeignIn his ruthlessly clear-eyed final film, French master Robert Bresson pushed his unique blend of spiritual rumination and formal rigor to a new level of astringency. Transposing a Tolstoy novella to contemporary Paris, L’argent follows a counterfeit bill as it originates as a prop in a schoolboy prank, then circulates like a virus among the corrupt and the virtuous alike before landing with a young truck driver and leading him to incarceration and violence. With brutal economy, Bresson constructs his unforgiving vision of original sin out of starkly perceived details, rooting his characters in a dehumanizing material world that withholds any hope of transcendence.
Foreign“Visionary” barely begins to describe this masterpiece of Chinese cinema and martial arts moviemaking. A Touch of Zen by King Hu depicts the journey of Yang (Hsu Feng), a fugitive noblewoman who seeks refuge in a remote, and allegedly haunted, village. The sanctuary she finds with a shy scholar and two aides in disguise is shattered when a nefarious swordsman uncovers her identity, pitting the four against legions of blade-wielding opponents. At once a wuxia film, the tale of a spiritual quest, and a study in human nature, A Touch of Zen is an unparalleled work in Hu’s formidable career and an epic of the highest order, characterized by breathtaking action choreography, stunning widescreen landscapes, and innovative editing.
ForeignFinal day of school in a small Polish town. It's the very last chance for 12-Year-Old Gabrysia to tell her classmate that she had fallen in love with him. She sets up a secret meeting and blackmails her love interest to show up. But what was supposed to be an intimate talk spins out of control and this seemingly normal day in the lives of three ordinary elementary school students culminates in shocking and terrifying events.
ForeignFrom director Luc Besson (The Fifth Element) comes this thriller about a vicious street punk turned sexy, sophisticated and lethally dangerous assassin. Starring Anne Parillaud, Jeanne Moreau and Jean Reno. Rescued from death row by a top-secret agency, Nikita (Anne Parillaud) is slowly transformed from a cop-killing junkie into a cold-blooded bombshell with a license to kill. But when she begins the deadliest mission of her career only to fall for a man who knows nothing of her true identity Nikita discovers that in the dark and ruthless world of espionage, the greatest casualty of all...is true love.
ForeignThe year is 1912. A 136 million-year old pterodactyl egg, housed on a shelf in the Natural History Museum, has mysteriously hatched, unleashing a prehistoric monster onto the Parisian streets. But nothing fazes Adèle, when she finds a connection with the ancient bird and reveals many more extraordinary surprises. . .
ForeignTwo rival marathon runners find their dreams of competing in the Tokyo Olympics fading after World War II breaks out and they are forced to serve their country. Jun-shik works on a farm owned by Tatsuo's grandfather. An aspiring Olympian, Jun-shik dreams of the day he will win the gold as a marathon runner. But Tatsuo also wants to be an Olympic runner, and he's determined to be the best. When the bombs start to fall and both men are drafted into service, Tatsuo becomes the leader of Jun-shik's unit and hatches an ambitious plan to get the upper hand over their enemies. Unfortunately his plot fails, and both men are taken prisoner by the Soviets. Subsequently escaping but torn apart by fate, Tatsuo and Jun-shik later cross paths on the beaches of Normandy, just as the Allies prepare to execute Operation Overlord. My Way was the “Audience Award Winner” and the 2012 Dallas International Film Festival and directed by Je-gyu Kang of Tae Guk Gi: The Brotherhood of War.
ForeignIn this bold, genre-defying horror-musical mashup — the playful and confident debut of Polish director Agnieszka Smoczynska — a pair of carnivorous mermaid sisters are drawn ashore in an alternate '80s Poland to explore the wonders and temptations of life on land. Their tantalizing siren songs and otherworldly aura make them overnight sensations as nightclub singers in the half-glam, half-decrepit fantasy world of Smoczynska's imagining. In a visceral twist on Hans Christian Andersen's original Little Mermaid tale, one sister falls for a human, and as the bonds of sisterhood are tested, the lines between love and survival get blurred. A savage coming-of-age fairytale with a catchy new-wave soundtrack, lavishly grimy sets, and outrageous musical numbers, The Lure explores its themes of sexuality, exploitation, and the compromises of adulthood with energy and originality.
ForeignBased on a true story of a meeting on 4 June 1945 between two powerful men with opposite philosophies and perspectives: the newly appointed leader of Yugoslavia, Marshal Tito, and the head of the Catholic Church of Croatia, Archbishop Aloysius Stepinac. The meeting is like a game of chess, one man trying to outmaneuver and outsmart the other. The ultimate outcome will not only shape the history of both men and their country, but also the world to come.
ForeignVersailles, August 1715. Back from hunting, Louis XIV–masterfully portrayed by French New Wave icon Jean-Pierre Leaud (The 400 Blows) - feels a pain in his leg. A serious fever erupts, which marks the beginning of agony for the greatest King of France. Surrounded by a horde of doctors and his closest counselors, who sense an impending power vacuum, the Sun King struggles to run the country from his bed.
Based on extensive medical records and the memoirs of the Duke of Saint-Simon and other courtiers, The Death of Louis XIV is a wry neoclassical chamber drama, a work of pure magic by Albert Serra, one of today’s most singular directors.
ForeignMyth, mysticism, and revolution collide in a blistering existential western from Glauber Rocha, a pioneer of Brazil’s socially committed Cinema Novo movement. After killing his swindling boss, ranch hand Manoel (Geraldo Del Rey) goes on the run with his wife, Rosa (Yoná Magalhães). In the stark hinterlands, they join forces with armed bandits and pledge allegiance to a self-styled holy man who preaches revolt against rich landowners while perpetrating unspeakable acts of violence against the innocent. Suffused with antiauthoritarian fervor and the intensity of life in the desert, this landmark work of radical cinema is a scorched-earth allegory about mindless fanaticism and the allure of dead-end ideologies.
ForeignWhen two Slovak Jews finally manage to escape the Auschwitz concentration camp, they find themselves up against allies that don't believe the truth.
ForeignAnne is a lawyer with a beautiful home, family and life. When her troubled step-son comes to live with them, she forms an intimate bond with him. Initially a liberating move, soon turns into a disturbing story with devastating consequences.
ForeignA bombastic, womanizing art dealer and his painter friend go to a seventeenth-century villa on the Riviera for a relaxing summer getaway. But their idyll is disturbed by the presence of the bohemian Haydée, accused of being a "collector" of men. Eric Rohmer’s first color film, LA COLLECTIONNEUSE pushes Six Moral Tales into new, darker realms while showcasing the clever, delectably ironic battle-of-the-sexes repartee (in a script written by Rohmer and the three main actors) and effortlessly luscious Nestor Almendros photography that would define the remainder of the series.
ForeignOne of six sublime color masterworks that Yasujiro Ozu produced late in his career, the director’s second filming of his own 1934 silent triumph A STORY OF FLOATING WEEDS represents the mature flowering of his style. Harnessing the full expressive potential of color, sound, music, and his exquisite compositional sense, he brings new depths of bittersweet feeling—tinged with an aging artist’s melancholic nostalgia—as well as a new air of expansiveness, to a story with enduring resonance.
Foreign"Why would I tie myself to one woman?" asks Jerôme in CLAIRE’S KNEE, though he plans to marry a diplomat’s daughter by summer’s end. He spends his July at a lakeside boardinghouse, nursing crushes on the sixteen-year-old Laura and, more tantalizingly, her long-legged, blonde, older half sister, Claire. Baring her knee on a ladder under a blooming cherry tree, Claire unwittingly incites a moral crisis for Jerôme while creating an image that is both the iconic emblem of Eric Rohmer’s Six Moral Tales and one of French cinema’s most enduring moments.
ForeignOnce-great Spanish matador Nacho Martinez has been reduced to starring in gruesome "snuff" films. Martinez is idolized by Antonio Banderas, who has no notion of his idol's current illegal profession. Terrified at the thought of drawing blood in the bullring, Banderas nevertheless seeks out Martinez' assistance in preparing for a bullfighting career. To prove his "machismo", Banderas rapes Martinez' lady-friend Eva Cobo. No one will believe Banderas' confession of the rape, so he decides to attach more importance to his crime by confessing to a recent rash of serial killings (actually perpetrated by Martinez and his cohorts). Bandera's case is taken by feminist attorney Assumpta Serna, who unwittingly--but not unwillingly--sets herself up as Martinez' next "conquest."
ForeignA treasure of Mexico’s cinematic golden age, this deliriously plotted blend of gritty crime film, heart-tugging maternal melodrama, and mambo musical is a dazzling showcase for iconic star Ninón Sevilla. She brings fierce charisma and fiery strength to her role as a rumbera—a female nightclub dancer—who gives up everything to raise an abandoned boy, whom she must protect from his ruthless gangster father. Directed at a dizzying pace by filmmaking titan Emilio Fernández, and shot in stylish chiaroscuro by renowned cinematographer Gabriel Figueroa amid smoky dance halls and atmospherically seedy underworld haunts, VICTIMS OF SIN is a ferociously entertaining female-powered noir pulsing with the intoxicating rhythms of some of Latin America’s most legendary musical stars.
ForeignThe Prince is an explosive homoerotic prison drama set in a repressive 1970s Chilean prison. During a night of heavy drinking, Jaime, a hot-tempered narcissist, suddenly stabs his best friend. He is sent to jail for murder and there, alone and afraid, he comes under the protection of a tough older inmate known as “The Stallion.” The unlikely pair begin a clandestine romance but violent power struggles inside the penitentiary threaten their bond. This searing story of survival at all costs, takes its inspiration from Jean Genet’s Un Chant d’amour and Fassbinder’s Querelle in its affecting exploration of masculine aggression, conflicting loyalties and pent-up sexual desires.
ForeignIn this jazzy gangster film, reformed killer Phoenix Tetsu’s attempt to go straight is squashed when his former cohorts call him back to Tokyo to help battle a rival gang. This onslaught of stylized violence and trippy colors got director Seijun Suzuki in trouble with Nikkatsu studio heads, who were put off by his anything-goes, in-your-face aesthetic, equal parts Russ Meyer, Samuel Fuller, and Nagisa Oshima. Tokyo Drifter is a delirious highlight of the brilliantly excessive Japanese cinema of the sixties.
ForeignDetective Ma Seok-do investigates a murder case uncovering a Yakuza drug operation in South Korea. Conflict arises with the DEA Captain Joo when Ma's squad clashes with his jurisdiction, hindering their investigation. When Yakuza boss Ichizo senses his business is in danger, he sends hitman Ricky and his gang to South Korea to bring about order...
ForeignIn CANTINFLAS, the true story of Mexico's greatest and most beloved comedy film star is told for the first time. From his humble origins on the small stage to the bright lights of Hollywood, Cantinflas became famous around the world - one joke at a time. Relive the laughter that has charmed generations.
ForeignIn 1962, a physics conference in the Alps sets off a metaphysical mystery, thick with postwar paranoia, romantic noir, and secretive sci-fi intrigue.
ForeignDetective Ma Suk Do investigates a murder case uncovering a Yakuza drug operation in South Korea. Conflict arises with the DEA Captain Joo Seong when Ma's squad clashes with his jurisdiction, hindering their investigation. When Yakuza boss Ichizo senses his business is in danger, he sends hitman Ricky and his gang to South Korea to bring about order...
ForeignBased on a true story, this story chronicles the life of Andres Lopez aka "Florecita" who after the killing of Pablo Escobar finds himself in the impossible position of having to go undercover for the DEA or go to the very prison where his mortal enemies wait to kill him. Turning states evidence, Florecita, quickly rising through the ranks of the Colombian Cartel finds himself working both sides of the most dangerous battle known to man.
ForeignFor journalist Judith Rochant (Anaïs Demoustier) the assignment to interview renowned artist Salvador Dalí is a great career opportunity–if only he would agree to sit still and answer a single question. What begins as a 15-minute conversation blows up into a bonafide cinematographic documentary portrait, provided the world’s most enormous cameras are available to film it. As Judith’s interview is delayed, detoured, disrupted, and deranged by Dalí’s inexhaustible self-regard, the journalist finds herself becoming the subject. The legendary painter’s artistry and ego know no bounds, and Daaaaaalí! dutifully casts no less than five actors (Édouard Baer, Jonathan Cohen, Gilles Lellouche, Pio Marmaï, and Didier Flamand) as Salvador Dalí in this prismatic portrait. The prolific Quentin Dupieux’s latest comedy is an exercise in dream logic and surrealist homage, with the rug pulled out from under you again and again before you even manage to get up off the floor.
ForeignAward-winning director Daniel Burman returns with The Tenth Man, a well-observed comedy that wrestles with notions of identity, home and the intricacies of the father son relationship. After years away, Ariel returns to Buenos Aires seeking to reconnect with his father Usher, who has founded a charity foundation in Once, the city's bustling Jewish district where Ariel spent his youth. In the process of trying to meet his father and getting entangled in his charitable commitments, Ariel also reconnects with his own Jewish roots.Usher staves off a meeting with his son; roping him into a number of small assignments, during the course of which Ariel meets Eva, who volunteers for Usher’s charity. Eva's radiant inner strength and independent spirit inspires Ariel to come to grips with the the traditions that once divided him and his father and rethink his own identity. Tenderly, and with a lightness of touch, he has Ariel let go of his old expectations and allow himself to be drawn into th
ForeignA provocative thriller in which a former policeman turns full-time criminal and goes on a downward spiral in 1990s Rome. Remo (Valerio Mastandrea) is a disgruntled cop who pads his income by raiding rich people’s houses with a group of thugs. Because of his hatred for discipline he is soon dismissed from the force, while continuing his criminal escapades full time... until he gets arrested. When he is released, he tries to live a normal life but the debts he has incurred keep pulling him back to the life of a robber.
ForeignWhen Commissaire Pierre Niemans (Jean Reno, 'Léon: The Professional'), France’s leading serial killer investigator, is called to examine a grisly murder, he enters a world of secrets, lies and unthinkable horrors. The dead, whose hands and eyes have been removed, are clues to a terrible tradition the killer can no longer bear. Each murder means something more; each victim, a guilty conspirator in a grand immoral experiment. Filled with blood-chilling suspense, twisted turns and breathtaking locations in the French Alps, this tense thriller has the style, action and intelligence to keep you wondering what’s really happening right up until its shocking conclusion. Directed by Mathieu Kassovitz ('La haine') and featuring Vincent Cassel ('Eastern Promises'), Nadia Farès ('The Nest'), Dominique Sanda ('The Conformist'), Philippe Nahon ('I Stand Alone') and Jean-Pierre Cassel ('Army of Shadows').
ForeignFour stories about love and self-acceptance: An eleven year-old boy struggles to keep secret the attraction he feels towards his male cousin. Two former childhood friends reunite and start a relationship that gets complicated due to one of them's fear of getting caught. A gay long lasting relationship is in jeopardy when a third man comes along. An old family man is obsessed with a young male prostitute and tries to raise the money to afford the experience.
ForeignBased on the classic novel, UNKOWN SOLDIER follows the story of Rokka, Kariluoto, Koskela, Hietanen, and their brothers-in-arms. It shows how friendship, humour, and the will to live unite these men on their way there and back. The war changes the lives of each of the soldiers as well as the lives of those on the home front, and also leaves its mark on the entire nation.
ForeignWinner of the Jury Prize at the 2014 Cannes Film Festival, Goodbye to Language is a triumphant masterpiece from Jean-Luc Godard. The film follows a couple whose relationship breaks down along with the images, which in its second half takes a dog’s-eye view ofthe world. It is a meditation on history and illusion, figures merging and weaving across the screen along with the film’s ideas about romantic love and being-in-the-world. It has the feeling of a final statement, but knowing Godard’s penchant for re-invention, hopefully it is yet another beginning to an extraordinary career.
ForeignA group of strangers wake up in mysterious room inscribed with an unfamiliar code. Looking for ways to escape, they discover the room is riddled with lethal traps. As fear and distrust swirl around them, the group must work together to survive.
ForeignThe story of hapless 39-year-old medical photographer Romain Faubert (Boon), a raging hypochondriac who we find in precisely the wrong line of work: a medical photographer! His only friend, Dr. Zvenka (Merad) believes the only cure for Romain’s disorder is to find a love interest. Enter Anna (newcomer Alice Pol), Dr. Zvenka’s beautiful sister. However, things are not so simple, as Anna mistakes the wimpy Romain for a famously macho freedom fighter from the fictional land of Turkystan…
ForeignThe writer, actor, and director Sacha Guitry emerged from the theater to become one of France’s best-known and most inventive filmmakers, and La poison marked his first collaboration with another titan of the screen, the incomparably expressive Michel Simon. With Guitry’s witty dialogue and fleet pacing, the black comedy is the quintessential depiction of a marriage gone sour: after thirty years together, a village gardener (Simon) and his wife (Germaine Reuver) find themselves contemplating how to do away with each other, with the former even planning how he’ll negotiate his eventual criminal trial. Inspired by Guitry’s own post–World War II tangle with the law—a wrongful charge of collaborationism—La poison is a blithely caustic broadside against the French legal system and a society all too eager to capitalize on others’ misfortunes.
ForeignSmall-time swindler Marcos (Ricardo Darín) observes Juan (Gastón Pauls) pulling off a scam on a cashier, and then getting caught as he attempts the same trick again. Claiming to be a policeman, Marcos drags Juan out of the store, then reveals himself to be a fellow grifter with a higher stakes game in mind, and invites Juan to be his partner. When an old time con-man enlists them to sell a forged set of extremely valuable rare stamps,"The Nine Queens," the tricky negotiations that ensue introduce a cast of suspicious characters including Marcos' beautiful sister Valeria (Leticia Brédice) and their innocent younger brother Federico (Tomás Fonzi). As the deceptions and duplicity mount, a slew of thieves and con artists make it difficult to figure out who is conning whom.
ForeignStepping from the pages of Fredrik Backman’s international best-selling novel, Ove is the quintessential grumpy old man next door, with strictly enforced principles and a short fuse. Still grieving his late wife, Ove has largely given up on life until a boisterous young family moves in next door and forces him out of his shell in this heartwarming tale that reminds us that life is sweeter when it's shared.
ForeignFrom critically acclaimed, erotically candid writer/director Pedro Almodóvar (Tie Me Up, Tie Me Down; Women on the Verge of a Nervous Breakdown) comes a raw, seductive tale based on a novel by British mystery writer Ruth Rendell. When naive, lovestruck Victor (Liberto Rabal) attempts to seduce beautiful and wealthy but strung-out junkie Elena (Francesca Neri), all he gets for his trouble is a one-way, six-year ticket to prison, where he concentrates on strengthening his mind, his body...and his desire for vengeance on the man who put him there. After his release, Victor crosses paths with Elena, who is as beautiful as ever since she cleaned up her act. Still madly in love with her, Victor will stop at nothing to win her over even if it means revenge for Elena has married David (Javier Bardem), the cop who sent him to prison!
ForeignDuring World War II, millions of Jews are deported and killed in German concentration camps. BETRAYED is based on the true story about the Braude family. An ordinary Norwegian family whose fate is sealed by the fact that they are Jews.
ForeignEver since the National University strike broke out, Sombra and Santos have been living in angst-ridden limbo. Education-less, motionless, purposeless, and unsure of what the strike will bring, they begin to look for strange ways to kill time. But their idiosyncratic routine is interrupted by the unexpected arrival of Tomas, Sombra's kid brother. Unable to fit in amongst these older slackers, Tomas discovers that unsung Mexican folk-rock hero Epigmenio Cruz has been hospitalized somewhere in the city. Tomas convinces Sombra and Santos they must track him down in order to pay their final respects on his deathbed. But what they thought would be a simple trip to find their childhood idol, soon becomes a voyage of self-discovery across Mexico City's invisible frontiers.
ForeignPanah Panahi, son and collaborator of embattled filmmaker Jafar Panahi and apprentice to Iranian master Abbas Kiarostami, makes a striking feature debut with this charming, sharp-witted, and deeply moving comic drama. 'Hit the Road' takes the tradition of the Iranian road-trip movie and adds unexpected twists and turns. It follows a family of four – two middle-aged parents and their sons, one a taciturn adult, the other an ebullient six-year-old – as they drive across the Iranian countryside. Over the course of the trip, they bond over memories of the past, grapple with fears of the unknown, and fuss over their sick dog. Unspoken tensions arise and the film builds emotional momentum as it slowly reveals the furtive purpose for their journey. The result is a humanist drama that offers an authentic, often comedic, and deeply sincere observation of an Iranian family preparing to part with one of their own.
ForeignACADEMY AWARD® WINNER FOR BEST FOREIGN LANGUAGE FILM Poland, 1962. On the eve of her vows, 18-year-old novice Anna meets her estranged aunt Wanda, a cynical Communist judge who shocks the naïve Anna with a stunning revelation: Anna is Jewish and her real name is Ida. Tasked with this new identity, Ida and Wanda embark on a revelatory journey to their old family home to discover the fate of Ida’s birth parents and unearth dark secrets dating back to the Nazi occupation. Masterfully directed by Pawel Pawlikowski (My Summer of Love) and photographed in stunning black and white (in the classic 1.37:1 Academy ratio), IDA is a vital and cinematic evocation of postwar Poland and an intensely personal tale of moral and spiritual awakening.
ForeignA film director who no longer makes films, Seongjun, arrives in Seoul to meet a close friend. When the friend doesn't show up, Seongjun wanders the city aimlessly. He runs into an actress he used to know, shares a drink with some film students and against his better judgment, heads to his ex-girlfriend's apartment. The next day goes very much like the last; Seongjun meets the actress, has drinks with friends, and falls for woman who looks remarkably like his ex-girlfriend. Each new day plays out like a flimsy copy of the previous one, but only Seongjun knows why. Infused with a playfulness and dry wit that recalls the films of Eric Rohmer, The Day He Arrives is a delightful meditation on relationships, filmmaking, and the unknowable forces that govern our lives.
ForeignBased on the true story of one of France's most beloved sporting heroes. In 1980 Pierre Durand was at the start of a promising law career. To everyone's surprise however, he gave it all up to dedicate himself to his true passion: show jumping. Throwing himself into the endeavor he invested everything he had in a young horse called Jappeloup. It was obvious to everyone around him however that the horse was too small and much too temperamental to succeed. Determined to prove the doubters wrong Pierre forged ahead, and competition after competition, horse and rider began to improve.
Through triumph and setback, driven at times by sheer force of will, they took a journey that lead them, against all odds, to gold medal success at the Seoul Olympics in 1988.
ForeignThe ocean contains the history of all humanity. The sea holds the voices of the Earth and those that come from outer space. Water receives impetus from the stars and transmits it to living creatures. Water, the longest border in Chile, also holds the secret of a mysterious button that was discovered in its seabed. Chile, with its 2,670 miles of coastline, the largest archipelago in the world, presents a supernatural landscape. In it are volcanoes, mountains and glaciers. In it are the voices of the Patagonian indigenous people, of the first English sailors and also those of its political prisoners. Some say that water has memory. This film shows that it also has a voice.
ForeignA boy who is believed to bring bad luck leads his family (and a couple of ragged misfits) through Laos to find a new home. After a calamity-filled journey through a land scarred by war, the boy builds a giant rocket to prove he's not cursed and to enter the most lucrative but dangerous competition of the year: a rocket festival.
